www.venini.com The “Bolle” bottles designed by Finnish designer Tapio Wirkkala in 1968 for Venini are presenting the artistic “Incalmo” technique.  The incalmo technique of making glass began in the sixteenth century when Italian glass makers wanted to achieve the look of two or three different colored sections of glass to make it appear as if it was one piece of glass. Venice was the center for this method of glass making and soon spread across Europe and eventually America, where highly skilled glass makers make this beautiful glassware. Each piece of glass that is to be made into one is blown separately and must be the same width at the base or top where it is to be fused to another piece of glass. This second piece must be placed directly at the edge of the first piece and fit perfectly so there is no overlap with the edges. The finished piece is two or three bands of color in a vase or bowl, sometimes with an added decoration, but usually left plain. The final glassware can be for practical or decorative use. Tapio Wirkkala became world famous as a glass and wood designer, taking his inspiration from the raw Finnish nature and landscape. For Wirkkala, no material was alien and he left no area of design unexplored. He worked in metals such as silver and copper, but also in porcelain and plastics. Tapio Wirkkalas design from the 1950’s reflects natures own forms such as leaves, mushrooms and melting ice. These forms with pure and elegant contours are easily recognized in the laminated birch dishes made in a technique called aeroplane veneer. This for Wirkkala so typical plywood was also used for larger sculptures. One of his plywood pieces was voted as the most beautiful object of the year in 1954. His artwork and unique objects are to be found in the worlds leading museums. 25 cm x 14 cm

www.venini.com

The “Bolle” bottles designed by Finnish designer Tapio Wirkkala in 1968 for Venini are presenting the artistic “Incalmo” technique. 

The incalmo technique of making glass began in the sixteenth century when Italian glass makers wanted to achieve the look of two or three different colored sections of glass to make it appear as if it was one piece of glass. Venice was the center for this method of glass making and soon spread across Europe and eventually America, where highly skilled glass makers make this beautiful glassware.

Each piece of glass that is to be made into one is blown separately and must be the same width at the base or top where it is to be fused to another piece of glass. This second piece must be placed directly at the edge of the first piece and fit perfectly so there is no overlap with the edges. The finished piece is two or three bands of color in a vase or bowl, sometimes with an added decoration, but usually left plain. The final glassware can be for practical or decorative use.

Tapio Wirkkala became world famous as a glass and wood designer, taking his inspiration from the raw Finnish nature and landscape. For Wirkkala, no material was alien and he left no area of design unexplored. He worked in metals such as silver and copper, but also in porcelain and plastics. Tapio Wirkkalas design from the 1950’s reflects natures own forms such as leaves, mushrooms and melting ice. These forms with pure and elegant contours are easily recognized in the laminated birch dishes made in a technique called aeroplane veneer. This for Wirkkala so typical plywood was also used for larger sculptures. One of his plywood pieces was voted as the most beautiful object of the year in 1954. His artwork and unique objects are to be found in the worlds leading museums.

  • 25 cm x 14 cm
www.flos.com Ronan Bouroullec (born 1971) and Erwan Bouroullec (born 1976) have been working together for about ten years now. Their collaboration is a permanent dialogue nourished by their distinct personalities and a shared notion of diligence with the intention to reach more balance and fineness.In 1997, they presented their Disintegrated Kitchen at the Salon du Meuble in Paris and were spotted by Giulio Cappellini, who gave them their first industrial design projects, notably the Lit clos (“Closed Bed”) and the Spring Chair. In 2000, Issey Miyake asked them to design a space for his new collection of A-Poc clothes in Paris. Then, the decisive meeting with chairman of Vitra Rolf Fehlbaum occurred which resulted in their conception of a new kind of office system, Joyn, in 2002. This was the beginning of a special partnership which has borne fruit in numerous projects, including Algues, the Alcove Sofa, the Worknest, the Slow Chair, the Vegetal or L’Oiseau. Since 2004, the Bouroullecs have also been working with Magis, for whom they have designed two complete furniture collections, Striped and Steelwood as well as additional projects such as the Baguette chair and the Central and Tambour tables. Finally, they have worked on several types of textile wall systems, such as the North Tiles and the Clouds, in close collaboration with the Kvadrat brand. In 2010, they debut two new collections for two new European editors: Ovale, a complete tableware collection for Alessi and Axor Bouroullec, a comprehensive collection for the bathroom area for Axor Hansgrohe. In 2011, they extend their array of partners and design the Piani lamps for Flos, the Losanges rug for Nani Marquina, the Osso chair for Mattiazzi and a collection of indoor/outdoor ceramic for Mutina.Today, Ronan and Erwan Bouroullec design for numerous manufacturers, namely Vitra, Kvadrat, Magis, Kartell, Established and Sons, Ligne Roset, Axor, Alessi, Issey Miyake, Cappellini, Mattiazzi and more recently Flos and Mutina. At the same time, they maintain an experimental activity which is essential to the development of their work at Galerie kreo, Paris, where four exhibitions of their designs have been held between 2001 and 2012. They also embark on occasional architectural projects such as the Floating House in 2006, the Camper stores in Paris, Copenhagen and Rome (2009-2011), the Casa Camper Hotel’s restaurant, Dos Palillos, in Berlin (2010) and the Kvadrat showrooms in Stockholm (2006) and Copenhagen (2009). The Piani collection for Flos is made of a flat base and a flat top. The base is either a tray so that objects can be displayed in a triangular beam of light as if they were on stage or in its longer version, a shelve so that more objects can be supported by this hybrid design. Piani comes in plastic as well as in oak wood and basalt stone in the shelving versions so that different sensual experiences are suggested. Small version:ABS, LED light source with dimmer260 x 180 x 200 mmLarge version:Solid oak wood or basalt, LED light source with dimmer370 x 260 x 290 mmWall mounted shelf version:Solid oak wood or basalt, LED light source with dimmer1,450 x 280 x 295 mm/ 

www.flos.com

Ronan Bouroullec (born 1971) and Erwan Bouroullec (born 1976) have been working together for about ten years now. Their collaboration is a permanent dialogue nourished by their distinct personalities and a shared notion of diligence with the intention to reach more balance and fineness.

In 1997, they presented their Disintegrated Kitchen at the Salon du Meuble in Paris and were spotted by Giulio Cappellini, who gave them their first industrial design projects, notably the Lit clos (“Closed Bed”) and the Spring Chair. In 2000, Issey Miyake asked them to design a space for his new collection of A-Poc clothes in Paris. Then, the decisive meeting with chairman of Vitra Rolf Fehlbaum occurred which resulted in their conception of a new kind of office system, Joyn, in 2002. This was the beginning of a special partnership which has borne fruit in numerous projects, including Algues, the Alcove Sofa, the Worknest, the Slow Chair, the Vegetal or L’Oiseau. Since 2004, the Bouroullecs have also been working with Magis, for whom they have designed two complete furniture collections, Striped and Steelwood as well as additional projects such as the Baguette chair and the Central and Tambour tables. Finally, they have worked on several types of textile wall systems, such as the North Tiles and the Clouds, in close collaboration with the Kvadrat brand. In 2010, they debut two new collections for two new European editors: Ovale, a complete tableware collection for Alessi and Axor Bouroullec, a comprehensive collection for the bathroom area for Axor Hansgrohe. In 2011, they extend their array of partners and design the Piani lamps for Flos, the Losanges rug for Nani Marquina, the Osso chair for Mattiazzi and a collection of indoor/outdoor ceramic for Mutina.

Today, Ronan and Erwan Bouroullec design for numerous manufacturers, namely Vitra, Kvadrat, Magis, Kartell, Established and Sons, Ligne Roset, Axor, Alessi, Issey Miyake, Cappellini, Mattiazzi and more recently Flos and Mutina. At the same time, they maintain an experimental activity which is essential to the development of their work at Galerie kreo, Paris, where four exhibitions of their designs have been held between 2001 and 2012. They also embark on occasional architectural projects such as the Floating House in 2006, the Camper stores in Paris, Copenhagen and Rome (2009-2011), the Casa Camper Hotel’s restaurant, Dos Palillos, in Berlin (2010) and the Kvadrat showrooms in Stockholm (2006) and Copenhagen (2009).

The Piani collection for Flos is made of a flat base and a flat top. The base is either a tray so that objects can be displayed in a triangular beam of light as if they were on stage or in its longer version, a shelve so that more objects can be supported by this hybrid design. Piani comes in plastic as well as in oak wood and basalt stone in the shelving versions so that different sensual experiences are suggested.

Small version:
ABS, LED light source with dimmer
260 x 180 x 200 mm

Large version:
Solid oak wood or basalt, LED light source with dimmer
370 x 260 x 290 mm

Wall mounted shelf version:
Solid oak wood or basalt, LED light source with dimmer
1,450 x 280 x 295 mm/ 

www.meissen.com The Chinese signs of the Zodiac consist of a 12 year cycle, each year is named after a different animal whose distinct characteristics affecting the respective year. Many Chinese believe that the year of aperson`s birth is the primary factor in determining the person`s personality traits, physical, mental attributes and degree of success and happiness throughout his lifetime. Dragons are eccentric and here life is complicated in every way. They have a very passionate nature and abundant health. Very late in life she married monkey or rat. The dog they avoid. The MEISSEN Ming Dragon is one of the Manufactory’s best-known patterns.It dates back to 1740 and yet seems to be incomparably modern again today. Since the early 13th century, Europe’s ruling houses had been importing porcelain at mind-boggling prices from China. Research aimed at cracking the secret of how porcelain was made commenced at Meißen early in the 18th century. Those involved were Johann Friedrich Böttger, Ehrenfried Walther von Tschirnhaus, the Freiberg Mining Counsellor Gottfried Pabst von Ohain and further mining and smelting specialists. The research was commissioned by Augustus the Strong, Elector Prince of Saxony and King of Poland. The work proved successful. The first white porcelain was produced in 1708 under the direction of Johann Friedrich Böttger. Europe’s first porcelain had been born. 185 gr. 4,5 x 4,5 cm

www.meissen.com

The Chinese signs of the Zodiac consist of a 12 year cycle, each year is named after a different animal whose distinct characteristics affecting the respective year.

Many Chinese believe that the year of aperson`s birth is the primary factor in determining the person`s personality traits, physical, mental attributes and degree of success and happiness throughout his lifetime.

Dragons are eccentric and here life is complicated in every way. They have a very passionate nature and abundant health. Very late in life she married monkey or rat. The dog they avoid.

The MEISSEN Ming Dragon is one of the Manufactory’s best-known patterns.
It dates back to 1740 and yet seems to be incomparably modern again today.

Since the early 13th century, Europe’s ruling houses had been importing porcelain at mind-boggling prices from China. Research aimed at cracking the secret of how porcelain was made commenced at Meißen early in the 18th century. Those involved were Johann Friedrich Böttger, Ehrenfried Walther von Tschirnhaus, the Freiberg Mining Counsellor Gottfried Pabst von Ohain and further mining and smelting specialists. The research was commissioned by Augustus the Strong, Elector Prince of Saxony and King of Poland.

The work proved successful. The first white porcelain was produced in 1708 under the direction of Johann Friedrich Böttger. Europe’s first porcelain had been born.

  • 185 gr.
  • 4,5 x 4,5 cm
www.jenaer-glas.com Just as the company’s products are handed down from family generation to family generation, so it, too, passes on the principles of Jenaer Glas design. And as with all modern design, its core concept is a constant, consisting of top quality and the finest in functional culture for shared enjoyment. The establishment of the Jena Glaswerk in 1884 marked the dawning of a new era in glass design. The visionaries Otto Schott and Carl and Roderich Zeiss first created the technical prerequisites that would soon make a new development in utility culture possible. It was in Jena that the fi rst ever oven-proof household glass was invented: an ideal combination of style and function. In a creative dialogue, Bauhaus artists and Jena glass informed the modern face of product design. Quality products of functional design that are far removed from arbitrary, fast-moving fashion whims and still inform the face of the brand. Outstanding material properties and purpose-designed products have proved their success in recent times, too, of which design awards such as the Red Dot Award (2001), the IF Design Prize (2002) and the German Design Prize (2004) are eloquent proof. This unique tradition is now being continued by Zwiesel Kristallglas AG, the brand which took over the Jenaer Glas brand in 2006. The famous tea pot by Wilhelm Wagenfeld has been designed at the Bauhaus in 1931 and it is among the design classics of modernity. The handmade parts of the tea pot are marked by the characteristic forms and the best glass-making crafts. With the Wagenfeld tea pot of the Wilhelm Wagenfeld edition Jenaer Glas presents a genuine design classic outside of international museums. The tea pot is part of the tea service that has been designed in the early 1930s at the Bauhaus. 80 years after its development the tea pot is still an outstanding example of modern design. Its corpus resembles an elastic glass bubble that is slightly deformed by its own weight. The lid, muzzle and handle are developing from there as if constitutional and organic. The pieces are made from heat-resistant borosilicate glass and each one is unique. They are marked by a simple and functional design. The Bauhaus design tea pot of the Wagenfeld tea service with the index number 61 is heat-resistant and suitable for dishwashing and microwave.

www.jenaer-glas.com

Just as the company’s products are handed down from family generation to family generation, so it, too, passes on the principles of Jenaer Glas design. And as with all modern design, its core concept is a constant, consisting of top quality and the finest in functional culture for shared enjoyment.

The establishment of the Jena Glaswerk in 1884 marked the dawning of a new era in glass design. The visionaries Otto Schott and Carl and Roderich Zeiss first created the technical prerequisites that would soon make a new development in utility culture possible. It was in Jena that the fi rst ever oven-proof household glass was invented: an ideal combination of style and function. In a creative dialogue, Bauhaus artists and Jena glass informed the modern face of product design. Quality products of functional design that are far removed from arbitrary, fast-moving fashion whims and still inform the face of the brand. Outstanding material properties and purpose-designed products have proved their success in recent times, too, of which design awards such as the Red Dot Award (2001), the IF Design Prize (2002) and the German Design Prize (2004) are eloquent proof. This unique tradition is now being continued by Zwiesel Kristallglas AG, the brand which took over the Jenaer Glas brand in 2006.

The famous tea pot by Wilhelm Wagenfeld has been designed at the Bauhaus in 1931 and it is among the design classics of modernity. The handmade parts of the tea pot are marked by the characteristic forms and the best glass-making crafts.

With the Wagenfeld tea pot of the Wilhelm Wagenfeld edition Jenaer Glas presents a genuine design classic outside of international museums. The tea pot is part of the tea service that has been designed in the early 1930s at the Bauhaus.

80 years after its development the tea pot is still an outstanding example of modern design. Its corpus resembles an elastic glass bubble that is slightly deformed by its own weight. The lid, muzzle and handle are developing from there as if constitutional and organic. The pieces are made from heat-resistant borosilicate glass and each one is unique. They are marked by a simple and functional design.

The Bauhaus design tea pot of the Wagenfeld tea service with the index number 61 is heat-resistant and suitable for dishwashing and microwave.

www.hay.dk These scissors from HAY MARKET are extremely useful in your kitchen, and so beautiful they dont deserve to be put away in the drawers. They are made of iron, and are available in 2 different sizes. MATERIAL: iron SIZE: lenght 14 cm or length 20 cm

www.hay.dk

These scissors from HAY MARKET are extremely useful in your kitchen, and so beautiful they dont deserve to be put away in the drawers. They are made of iron, and are available in 2 different sizes.

  • MATERIAL: iron
  • SIZE: lenght 14 cm or length 20 cm


www.eleanorpritchard.com Eleanor Pritchard produces a woven blanket collection each winter. The designs are developed and sampled by Eleanor on her dobby loom in the London studio and the production runs are then woven up at a small traditional mill in Wales. All of the blankets are woven in 100% pure new wool and have a blanket stitch edging. All of the design work, sampling and bespoke hand-weaving is carried out at Eleanor’s studio in South East London. The studio is open to the public twice a year, and can be visited by appointment at other times A love of pattern, colour and texture runs through all of Eleanor’s work. Her designs celebrate traditional British fabrics, reinterpreting them in a contemporary context. Her practice includes large-scale projects, bespoke and commission work, mill-woven design and design consultancy. Alongside her own work, Eleanor is also an associate lecturer at Central Saint Martins.  From 2002 to 2004 she contributed hand-woven lengths for Christian Lacroix Haute Couture. Referencing analogue television, this blanket draws its name from the number of scanning lines per inch for TV transmission – 405 lines per inch for black and white TV, and 625 per inch for colour. 100% wool blanket stitch edging colourway – 405 Line, 625 Line 150 x 180 cm approx

www.eleanorpritchard.com

Eleanor Pritchard produces a woven blanket collection each winter. The designs are developed and sampled by Eleanor on her dobby loom in the London studio and the production runs are then woven up at a small traditional mill in Wales. All of the blankets are woven in 100% pure new wool and have a blanket stitch edging.

All of the design work, sampling and bespoke hand-weaving is carried out at Eleanor’s studio in South East London. The studio is open to the public twice a year, and can be visited by appointment at other times

A love of pattern, colour and texture runs through all of Eleanor’s work. Her designs celebrate traditional British fabrics, reinterpreting them in a contemporary context. Her practice includes large-scale projects, bespoke and commission work, mill-woven design and design consultancy.

Alongside her own work, Eleanor is also an associate lecturer at Central Saint Martins. 

From 2002 to 2004 she contributed hand-woven lengths for Christian Lacroix Haute Couture.

Referencing analogue television, this blanket draws its name from the number of scanning lines per inch for TV transmission – 405 lines per inch for black and white TV, and 625 per inch for colour.

  • 100% wool
  • blanket stitch edging
  • colourway – 405 Line, 625 Line
  • 150 x 180 cm approx
www.oxdesign.dk OX design is a Danish company producing exciting furniture based on stainless steel and high quality vegetable-tanned leather, both for home and institutional lounge areas. Based in Copenhagen ad with branch offices in Buenos Aires and Madrid, they supply superior quality products to customers all around the globe. The backbone of most of the OX Design’s products are made from cattle that are bred at the famous Pampas plains of Argentina. Pampas are home to about 70 million cattle, making Argentina one of the leading leather manufacturers in the world. The fact that Argentina’s cattle lands roam free during most of their lives means that nature leaves marks such as insect bites. These brands embody a natural product. The Butterfly chair was originally designed by three Argentinean architects in 1938. In Argentina, the chair is almost a national symbol (the chair is seen especially in Buenos Aires), as it is is Argentina’s most famous contribution to modern furniture design.  width 98 cm, depth 80 cm, height 108 cm leather, stainless steel  adjustable headrest for extra comfort

www.oxdesign.dk

OX design is a Danish company producing exciting furniture based on stainless steel and high quality vegetable-tanned leather, both for home and institutional lounge areas. Based in Copenhagen ad with branch offices in Buenos Aires and Madrid, they supply superior quality products to customers all around the globe.

The backbone of most of the OX Design’s products are made from cattle that are bred at the famous Pampas plains of Argentina. Pampas are home to about 70 million cattle, making Argentina one of the leading leather manufacturers in the world. The fact that Argentina’s cattle lands roam free during most of their lives means that nature leaves marks such as insect bites. These brands embody a natural product.

The Butterfly chair was originally designed by three Argentinean architects in 1938. In Argentina, the chair is almost a national symbol (the chair is seen especially in Buenos Aires), as it is is Argentina’s most famous contribution to modern furniture design. 

  • width 98 cm, depth 80 cm, height 108 cm
  • leather, stainless steel 
  • adjustable headrest for extra comfort
www.hillashamia.com Israel product designer Hilla Shamia has created a fantastic series of furniture blending aluminum and wood.There the negative factor of burnt wood is transformed into aesthetic and emotional value by preservation of the natural form of the tree trunk, within explicit boundaries. The general, squared form intensifies the artificial feeling, and at the same time keeps the memory of the material. To create her pieces, Shamia takes a whole tree trunk and incorporates it into steel tables, chairs, and stools. First, molten aluminum is spread over the wood, scorching the surface; the log is then sectioned into square forms, which according to the designer, “intensifies the artificial feeling, and in the same time keeps the memory of the material.” The individual sections are paired with differently sized frames–ranging from a coffee table to night stand–used to cast the metal body of the furniture. The hot liquid metal is poured into the molds, which are removed once the aluminum has cooled and set to reveal the now-sutured log and metal legs, enjoined by a dark band of char. Each piece is unique, with the metal “leakage” varying from one product to another.

www.hillashamia.com

Israel product designer Hilla Shamia has created a fantastic series of furniture blending aluminum and wood.
There the negative factor of burnt wood is transformed into aesthetic and emotional value by preservation of the natural form of the tree trunk, within explicit boundaries. The general, squared form intensifies the artificial feeling, and at the same time keeps the memory of the material.

To create her pieces, Shamia takes a whole tree trunk and incorporates it into steel tables, chairs, and stools. First, molten aluminum is spread over the wood, scorching the surface; the log is then sectioned into square forms, which according to the designer, “intensifies the artificial feeling, and in the same time keeps the memory of the material.” The individual sections are paired with differently sized frames–ranging from a coffee table to night stand–used to cast the metal body of the furniture. The hot liquid metal is poured into the molds, which are removed once the aluminum has cooled and set to reveal the now-sutured log and metal legs, enjoined by a dark band of char. Each piece is unique, with the metal “leakage” varying from one product to another.

www.likamimika.com The Lika Mimika leather espadrilles are made of extremely soft lamb, goat and calfskin leather. This shoe is manufactured and hand stitched in Alicante, Spain. It is a unisex model with a natural rubber enforced sole. The inner sole consist of the same premium leather as the shoe’s surface. Each shoe can be worn on the left or on the right foot due to the traditional espadrille design.Leather espadrilles from Lika Mimika stand for liberty, ease and primarily simplicity. The love of traditionally high quality in processing and haptics of the espadrilles is visible in material, composition, color and form to itself.  organic calf nappa Inner lining organic calf very skin friendly and breathable no chemical colors!

www.likamimika.com

The Lika Mimika leather espadrilles are made of extremely soft lamb, goat and calfskin leather. This shoe is manufactured and hand stitched in Alicante, Spain. It is a unisex model with a natural rubber enforced sole. The inner sole consist of the same premium leather as the shoe’s surface. Each shoe can be worn on the left or on the right foot due to the traditional espadrille design.

Leather espadrilles from Lika Mimika stand for liberty, ease and primarily simplicity. The love of traditionally high quality in processing and haptics of the espadrilles is visible in material, composition, color and form to itself. 

  • organic calf nappa
  • Inner lining organic calf
  • very skin friendly and breathable
  • no chemical colors!

http://katsuyoaoki.s1.bindsite.jp Katsuyo Aoki works principally in ceramics, creating incredibly complex pieces. Her Predictive Dream series is especially impressive, comprised of a number of skulls formed by lacy, swooping, and fragile ceramic tendrils that seem to be made of corals or icing. These mind-blowing pieces prove a superb craftsmanship. ”The decorative styles, patterns and symbolic forms I allude to and incorporate in my works each contain a story based on historical backgrounds and ideas, myths, and allegories. Their existence in the present age makes us feel many things,; adoration, some sort of romantic emotions, a sense of unfruitfulness and languor from their excessiveness and vulgarity.”

http://katsuyoaoki.s1.bindsite.jp

Katsuyo Aoki works principally in ceramics, creating incredibly complex pieces. Her Predictive Dream series is especially impressive, comprised of a number of skulls formed by lacy, swooping, and fragile ceramic tendrils that seem to be made of corals or icing. These mind-blowing pieces prove a superb craftsmanship.

”The decorative styles, patterns and symbolic forms I allude to and incorporate in my works each contain a story based on historical backgrounds and ideas, myths, and allegories. Their existence in the present age makes us feel many things,; adoration, some sort of romantic emotions, a sense of unfruitfulness and languor from their excessiveness and vulgarity.”

www.fedelicashmere.com Love for elegance and passion for the individual: these were the main principles that suggested Luigi Fedeli the idea of both a product and a brand that would influence the taste of the made in Italy along history.It was 1934 and in the leading city as for the manufacture of leather and felt goods, Monza, the company Fedeli established its roots, starting a business with the production of knitted hats, that were to become a real must in an extremely short time. Every head had its own hat. The company’s core business is in its - sometimes hand painted - cashmere knitwear, but it also produces handmade shirts, ties, trousers, jackets, and coats. Their jackets are made out of wools that are more than soft and the construction is very well done - unconstructed, finished seams, French facings, etc.  Today, the company is run by Luigi Fedeli’s grandson and great-grandson. It’s a small, family-owned business, so they don’t have fancy, stylized lookbooks. 

www.fedelicashmere.com


Love for elegance and passion for the individual: these were the main principles that suggested Luigi Fedeli the idea of both a product and a brand that would influence the taste of the made in Italy along history.
It was 1934 and in the leading city as for the manufacture of leather and felt goods, Monza, the company Fedeli established its roots, starting a business with the production of knitted hats, that were to become a real must in an extremely short time. Every head had its own hat.

The company’s core business is in its - sometimes hand painted - cashmere knitwear, but it also produces handmade shirts, ties, trousers, jackets, and coats. Their jackets are made out of wools that are more than soft and the construction is very well done - unconstructed, finished seams, French facings, etc. 

Today, the company is run by Luigi Fedeli’s grandson and great-grandson. It’s a small, family-owned business, so they don’t have fancy, stylized lookbooks. 

www.nymphenburg.com The repertoire of jewellery from Porzellan Manufaktur Nymphenburg can be traced back to the 18th century. So-called gallantries, small porcelain gifts such as hair pins, cases and medallions were exchanged between ladies and cavaliers to show their mutual respect. Around 1870, goldsmiths started buying whole sets of porcelain plates in various sizes from Nymphenburg for broaches and earrings. A century later a collection of finely finished lockets was created with historical flower décor. Today Porzellan Manufaktur Nymphenburg still invites designers of international acclaim to develop new creations. Patrik Muff has designed pieces of jewellery featuring strong, partly sacred symbols with clear imagery using cross and skull motifs, flaming hearts and lilies. All the collections are completely handcrafted using traditional manufacturing techniques with superb designs. black biscuit porcelain, silver rhodanized design Patrick Muff 7 x 2 cm

www.nymphenburg.com

The repertoire of jewellery from Porzellan Manufaktur Nymphenburg can be traced back to the 18th century. So-called gallantries, small porcelain gifts such as hair pins, cases and medallions were exchanged between ladies and cavaliers to show their mutual respect. Around 1870, goldsmiths started buying whole sets of porcelain plates in various sizes from Nymphenburg for broaches and earrings. A century later a collection of finely finished lockets was created with historical flower décor. Today Porzellan Manufaktur Nymphenburg still invites designers of international acclaim to develop new creations. Patrik Muff has designed pieces of jewellery featuring strong, partly sacred symbols with clear imagery using cross and skull motifs, flaming hearts and lilies. All the collections are completely handcrafted using traditional manufacturing techniques with superb designs.

  • black biscuit porcelain, silver rhodanized
  • design Patrick Muff
  • 7 x 2 cm
www.parabellumcollection.com Dedicated to offering the best in high quality leather accessories, the watchword at Parabellum is longevity.Re-visiting artisanal techniques and blending them with modern military-grade materials,they have set their sights on producing premium items that are built to last. Premium materials Reservation Bison leathers,lamb skin,military grade ceramic and Kevlar.A proudly American brand,  This iPad case is a beautifully streamlined piece of cutting edge technology, its large touch screen and slim profile leaves it vulnerable to scratches and breakage. The iPad Portfolio provides for safe and luxurious storage of the iPad when not in use. And, when in use, the iPad easily connects to the back of the iPad Portfolio, further protecting it while leaving the screen accessible. Deep texture, hand skived, Free Range Reservation Bison™ outer shell Heat branded, vegetable tanned Lamb Skin liner Constructed of over 20 pieces of material  Internal layer of Kevlar® for strength, and neoprene for extra shock absorption Hand skived leather, hand turned edges, individually numbered High tensile strength elastic-leather corner holders Military Grade White or black laser etched, ceramic covered PRYM™ snaps

www.parabellumcollection.com

Dedicated to offering the best in high quality leather accessories, the watchword at Parabellum is longevity.Re-visiting artisanal techniques and blending them with modern military-grade materials,they have set their sights on producing premium items that are built to last. 

Premium materials Reservation Bison leathers,lamb skin,military grade ceramic and Kevlar.A proudly American brand, 

This iPad case is a beautifully streamlined piece of cutting edge technology, its large touch screen and slim profile leaves it vulnerable to scratches and breakage. The iPad Portfolio provides for safe and luxurious storage of the iPad when not in use. And, when in use, the iPad easily connects to the back of the iPad Portfolio, further protecting it while leaving the screen accessible.

  • Deep texture, hand skived, Free Range Reservation Bison™ outer shell
  • Heat branded, vegetable tanned Lamb Skin liner
  • Constructed of over 20 pieces of material 
  • Internal layer of Kevlar® for strength, and neoprene for extra shock absorption
  • Hand skived leather, hand turned edges, individually numbered
  • High tensile strength elastic-leather corner holders
  • Military Grade White or black laser etched, ceramic covered PRYM™ snaps
www.korres.com Korres, set up in 1996,  is a Greek skincare brand with roots in Athens’ first ever Homeopathic Pharmacy.  Based on its pharmacy experience in over 3,000 homeopathic remedies of herbal origin, Korres is focusing on primary and applied research regarding natural ingredients and formulae. The company today offers a natural and certified organic skin & hair care range, a make-up line as well as suncare products and herbal preparations Korres´Vetiver is a very masculine fragrance with earthy, woody tones of vetiver, green tea and cedar. The Eau de Toilette is free of phthalates, polycyclic musk compounds, propylene glycol, ethanolamines, PCMs and PEGs. Vetiver Root: Evocative of fertile earth and moist wood, the essence deriving from the thin aromatic roots of the Vetiver plant. Rich, heavy, warm, sensual, the essential oil of this Asian grass is known as the Oil of Tranquility in India. Green Tea: Pure and earthy made with leaves of Camelia Sinensis maintaining the rejuvenating feel of Green Tea. An aromatic blend that refreshes the skin and enhances inspiration, as dictated by the art of tea drinking. Cedarwood: A Cedar native to the Atlas mountains of Algeria and Morocco, sought after since antiquity for its aroma and endurance. Warm, deep almost opulent as its wood, this stimulating scent evokes a tranquil mood, loosening the spirit.  Spray applicator Fresh/ zest scent Eau de toilette Volume  50 ml

www.korres.com

Korres, set up in 1996,  is a Greek skincare brand with roots in Athens’ first ever Homeopathic Pharmacy.  Based on its pharmacy experience in over 3,000 homeopathic remedies of herbal origin, Korres is focusing on primary and applied research regarding natural ingredients and formulae. The company today offers a natural and certified organic skin & hair care range, a make-up line as well as suncare products and herbal preparations

Korres´Vetiver is a very masculine fragrance with earthy, woody tones of vetiver, green tea and cedar. The Eau de Toilette is free of phthalates, polycyclic musk compounds, propylene glycol, ethanolamines, PCMs and PEGs.

Vetiver Root: Evocative of fertile earth and moist wood, the essence deriving from the thin aromatic roots of the Vetiver plant. Rich, heavy, warm, sensual, the essential oil of this Asian grass is known as the Oil of Tranquility in India.

Green Tea: Pure and earthy made with leaves of Camelia Sinensis maintaining the rejuvenating feel of Green Tea. An aromatic blend that refreshes the skin and enhances inspiration, as dictated by the art of tea drinking.

Cedarwood: A Cedar native to the Atlas mountains of Algeria and Morocco, sought after since antiquity for its aroma and endurance. Warm, deep almost opulent as its wood, this stimulating scent evokes a tranquil mood, loosening the spirit. 

  • Spray applicator
  • Fresh/ zest scent
  • Eau de toilette
  • Volume  50 ml
www.areaware.com Areaware is a New York City based producer of everyday objects that are both functional and unusual. Our goals are to create thoughtful products that inspire an emotional response and to explore design languages as a means of creating new syncretic forms. We like to think we have a good sense of humor and that our objects are poetic. We wish to create a forum for young and local talent and together, we hope to become a strong voice for American design. We believe that appreciation for beauty is central to what it means to be alive and want to embody this principle in even the simplest things. This figural box represents a “power” animal - a totem for our individual ambitions. Its simple and gestural depiction is intentional - allowing the symbolism of the animal to be maintained. With the addition of hinges, it has the ability to guard important small objects. On the shelf, it is sculpture. On the side table, it’s a totem. On the counter, it offers a hiding spot. designer: Karl Zahn material: sustainably harvested new growth beech wood 22 cm x 7 cm x 7 cm

www.areaware.com

Areaware is a New York City based producer of everyday objects that are both functional and unusual. Our goals are to create thoughtful products that inspire an emotional response and to explore design languages as a means of creating new syncretic forms. We like to think we have a good sense of humor and that our objects are poetic. We wish to create a forum for young and local talent and together, we hope to become a strong voice for American design. We believe that appreciation for beauty is central to what it means to be alive and want to embody this principle in even the simplest things.

This figural box represents a “power” animal - a totem for our individual ambitions. Its simple and gestural depiction is intentional - allowing the symbolism of the animal to be maintained. With the addition of hinges, it has the ability to guard important small objects. On the shelf, it is sculpture. On the side table, it’s a totem. On the counter, it offers a hiding spot.

  • designer: Karl Zahn
  • material: sustainably harvested new growth beech wood
  • 22 cm x 7 cm x 7 cm